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FOREWORD Forever Fifteen was born of a dream I had in 2002, a dream that was part nightmare. The program was to include a Bach cantata, her favorite piece from Rimsky-Korsakov’s Scheherazade, and for the first time ever, a student composition, a Concerto, by a precociously talented fellow student named Martin Chen. Lucy’s bright tones pursued her. But at this, he halted, turning his frowning gaze back on her. “Sufficient unto me is the change thereof,” he said, with all the effect of an epigram. Part 7 For a time the biological laboratory was full of healing virtue. ‘Yes, only that this consolation he had found before he married my mother. I—listen.

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