CONTENTS CHAPTER PAGE I THE CARPET-KNIGHT AND THE 7 LADY II THE ADVENTURE OF ANNABEL 15 III ANNA? OR ANNABEL? 20 IV THE TEMPERAMENT OF AN 26 ARTIST V “ALCIDE” 31 VI A QUESTION OF 36 IDENTIFICATION VII MISS PELLISSIER’S SUSPICIONS 41 VIII “WHITE’S” 45 IX BRENDON’S LUCK 54 X THE TRAGEDY OF AN 61 APPETITE XI THE PUZZLEMENT OF NIGEL 66 ENNISON XII THE POSTER OF “ALCIDE” 70 XIII “HE WILL NOT FORGET!” 76 XIV “THIS IS MY WIFE” 81 XV A MARRIAGE CERTIFICATE 89 XVI THE DISCOMFITURE OF SIR 96 JOHN XVII THE CHANGE IN “ALCIDE” 103 XVIII ANNABEL AND “ALCIDE” 109 XIX “THIS IS NOT THE END” 115 XX ANNA’S SURRENDER 121 XXI HER SISTER’S SECRET 126 XXII AN OLD FOOL 134 XXIII MONTAGUE HILL SEES LIGHT AT LAST XXIV A CASE FOR THE POLICE XXV THE STEEL EDGE OF THE TRUTH XXVI ANNABEL IS WARNED XXVII JOHN FERRINGHAM, GENTLEMAN XXVIII THE HISSING OF “ALCIDE” XXIX MONTAGUE HILL PLAYS THE GAME XXX SIR JOHN’S NECKTIE XXXI ANNA’S TEA PARTY XXXII SIX MONTHS AFTER 138 144 150 156 162 169 174 178 183 188 ANNA THE ADVENTURESS Chapter I THE CARPET-KNIGHT AND THE LADY The girl paused and steadied herself for a moment against a field gate. She did not want to go to the doctor's people; however kindly that might be, they would be only curious strangers. ’ ‘Because I have never heard anything so ridiculous,’ Gerald announced. She come home within a few months of the wedding. "Hark 'ee, Ben," said the old sailor, knocking the ashes from his pipe upon the hob; "you may try, but dash my timbers if you'll ever cross the Thames to-night. The doctor's lessons, perhaps delivered with too much serious emphasis, had destroyed that buoyant confidence in her ability to take care of herself. We’ve brought a carriage to take you back to London, and I’ve settled with Trodger, who has just given me a coherent account of the affair. ” Michelle said. gutenberg. You are more in my power than I am in yours. ” He closed the door of 109 in her face. “I ought to have done anything! “What’s a man for? “Friendship!” He doubled up his fist, and seemed to contemplate thrusting it through the window. .
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